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Comic Walk: Difference between revisions

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>Zach Harrison
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{{APM-list|Greasy Buffoons|Plankton tells the [[Health inspector (Greasy Buffoons)|health inspector]] that it was Mr. Krabs' idea.}}
{{APM-list|Greasy Buffoons|Plankton tells the [[Health inspector (Greasy Buffoons)|health inspector]] that it was Mr. Krabs' idea.}}
{{APM-list|Buried in Time|"I will allow some seriously ridiculous items today, but this is where I draw the line."}}
{{APM-list|Buried in Time|"I will allow some seriously ridiculous items today, but this is where I draw the line."}}
{{APM-list|Love That Squid|Squidward yells at SpongeBob.}} (Low-pitched)}}
{{APM-list|Love That Squid|Squidward yells at SpongeBob.}} (Low-pitched)
{{APM-list|Chum Fricassee|[[Grandma Tentacles]] explains to Squidward about the rules of [[Chum Fricassee (food)|Chum Fricassee]].}}
{{APM-list|Chum Fricassee|[[Grandma Tentacles]] explains to Squidward about the rules of [[Chum Fricassee (food)|Chum Fricassee]].}}
{{APM-list|SpongeBob You're Fired|[[Mister Weiner]] shows SpongeBob the kitchen.}} (Low-pitched)}}
{{APM-list|SpongeBob You're Fired|[[Mister Weiner]] shows SpongeBob the kitchen.}} (Low-pitched)
{{APM-list|Mermaid Pants|Squidward laughs at Mr. Krabs.}}
{{APM-list|Mermaid Pants|Squidward laughs at Mr. Krabs.}}
{{APM-list|Unreal Estate|Squidward puts [[pepper]] in [[SpongeBob's alarm clock]].}}
{{APM-list|Unreal Estate|Squidward puts [[pepper]] in [[SpongeBob's alarm clock]].}}

Revision as of 14:59, 27 January 2019

Template:Infobox APM"Comic Walk" was composed by Sidney Torch. There are two versions of this cue used on the show: one composed by Sidney Torch, and another composed by Nicolas Carr.

Both versions of the track seem to be associated with Template:Data:Links (particularly the Sidney Torch version) and include a flute, piccolos, trombones, trumpets, contrabassoons, clarinets, low and high string instruments, and a xylophone being played.

Usage

Sidney Torch version

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Nicolas Carr version

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Trivia

  • If counting both the Sidney Torch and Nicolas Carr versions, this is the fifth most-used non-sound effect APM track in the series.